mac

Apple Silicon, Macs in Education, and App-Centric Learning

Apple Silicon Macs are likely going to be announced at their upcoming event this Tuesday, November 10th.

Bradley Chambers is incredibly knowledgeable about Apple's relationship with education and he makes some great points in the post below about how this transition could influence the Mac in education.

Making the Grade: What will Apple Silicon mean for Apple's education strategy? - 9to5Mac:

I believe that Apple will have untold flexibility in what kind of laptops they can produce for schools now. Is it possible to build an 11″ MacBook based on Apple Silicon that is $799 when purchased in bulk but still runs extremely fast? I believe so. It might not be in the first year or two of Apple Silicon’s lifespan that we see it, but in a few years, it’s certainly possible that Apple will have reduced the cost on the A14 to put it in a K–12 focused laptop in the future.

I could be way off base on my predictions. Still, I believe that Apple Silicon will unlock a lot of potential in K–12 to produce lower-cost laptops that will run circles around much higher priced laptops running Intel chips. I’d love to see an 11″ Apple Silicon laptop aimed directly at students that could be used for many years.

I really do hope that Apple tries to be creative with the Mac in education again. Still, I fear that anything they do is too little, too late. Apple has has not been aggressive in education. They tend to make huge leaps in certain areas of their business and then let them settle for a long time, sometimes years. This approach works for developing consumer software like note-taking apps, but it is not aggressive enough to compete with Chromebooks and cloud-based education software. I think back to Apple’s education event a few years back where they positioned the iPad as their future in schools and released a bunch of APIs that iOS app developers could use to link into their Classroom app. Years later, what has come of any of that? If you are using iPads in education, and you use Apple Classroom in combination with third party apps, I would love to hear from you!

Chromebooks and web apps have taken off. And a lot of these web apps can talk to each other. For example, third parties like Flipgrid and Noteflight can integrate with LMS software like Blackboard and Canvas. But these connections are often full of frustrating bugs. On top of this, the quality of a lot of this software in ed tech is already so poor. I wouldn't exactly call it a race to the bottom, because most developers are doing their best with the resources they have, but I like to dream about an alternate reality where Apple's vision for an "app-centric" model were the norm instead of the "web-centric" model we have now.

Of course, web software is cheaper and cross-platform. So it makes sense that it has caught on for being most equitable. But in a world where Apple had kept their prices more competitive, maybe school districts would have been more willing to buy students 1:1 Apple products, especially when schools jumped online in March.

METT Podcast #16 - Master Your Virtual Teaching Tech, with David MacDonald

Thanks to my sponsor this month, MusicFirst

David MacDonald returns to the show to talk about the hardware and software in our virtual teaching setups. Then we speculate about touchscreen Macs and consider how Apple's recent App Store policies might impact the future of creative professional software on iOS.

Topics include:

  • New Zoom features for musicians and teachers
  • David and Philip Rothman's new podcast, Scoring Notes
  • Using Open Broadcaster Software to level up your virtual teaching
  • Routing audio from your apps into Zoom and Google Meet calls
  • Teaching with Auralia
  • LMS integration with third-party music education apps
  • Using MainStage and Logic for performing instruments into virtual classrooms
  • Touchscreen Macs
  • Apple's App Store Policy

Show Notes:

Where to Find Us:
Robby - Twitter | Blog | Book
David MacDonald - Twitter | Website | Blog

Please don't forget to rate the show and share it with others!

Subscribe to Music Ed Tech Talk:

Subscribe to the Blog

Subscribe to the Podcast in... Apple Podcasts | Overcast | Castro | Spotify | RSS

Today's episode is sponsored by MusicFirst:

MusicFirst offers music educators and their students easy-to-use, affordable, cloud-based software that enables music learning, creation, assessment, sharing, and exploration on any device, anywhere, at any time.

MusicFirst Classroom is the only learning management system designed specifically for K-12 music education. It combines the flexibility of an LMS with engaging content and powerful software integrations to help manage your students’ progress, make lesson plans, and create assignments.

And for younger students, MusicFirst Junior is the perfect online system for teaching elementary general music. It includes a comprehensive K-5 curriculum, hundreds of lessons & songs, and kid-friendly graphics to making learning and creating music fun!

Whether you’re teaching remotely, in-person, or in a blended learning environment, MusicFirst will work with you to find a solution that fits your program’s unique needs. Try it free for 30 days at musicfirst.com.

David’s teaching setup.

David’s teaching setup.

My teaching setup.

My teaching setup.

…From far away.

…From far away.

Is Apple Making Touchscreen Macs?

Speaking of forScore coming to the Mac, I continue to hear chatter in the technology community about touchscreen Macs. The design of Apple's forthcoming macOS update, Big Sur, has larger, more spread apart, user interface elements, indicating that it might be getting prepared for touch input. This would align well with Apple's transition to putting their own silicone chips in their devices this year.

I have no idea if Apple is making Macs with touchscreens, but I find it hard to believe they would take their existing Mac laptop and desktop designs and simply make the current screens touchable.

At Apple's developer conference this past June, there were obvious signs that Apple wants developers to adopt design elements from macOS in their iPad apps and vice versa.

Silicone enabled Macs will run touch-first, iOS apps natively, and Apple has been working hard to make their technologies consistent across all platforms. I wouldn't be surprised if touch screen Macs came out of the box with Apple Pencil support. And if Macs have Pencil support, no one wants to awkwardly hold a pencil up in the air in front of them and draw on a horizontal screen.

Here is where I am going with this. With sheet music apps like forScore finally coming to the Mac, and Apple technologies being shared across devices, I am starting to think that I would love a Mac with a display that folded back on its keyboard. Something that I could plug into my audio interface and large screen monitor to edit audio on at home, and then flip onto my podium and read scores off of during band rehearsal. They could charge nearly anything for a 14 inch MacBook Pro in this format and I would buy it.

Who knows if it would be an optimal experience? Who knows if it's what Apple is planning? Who knows if it is anywhere near ready? Not me. It will be very curious to see what happens over the next few months as Apple has announced that some Macs will make this transition by the end of the year.

forScore is coming to the Mac

In the hustle of our school semester starting, I forgot to post about possibly the most exciting app news I have heard this summer.

After writing about it and talking about it on the podcast for well over a year, I am pleased to say that forScore has announced they are making a native Mac app. It will be coming this fall, alongside their version 12 update. Read all about version 12 here...

forScore | forScore 12:

forScore comes to the Mac in a big way with a brand new, fully native experience built for some of the most advanced and powerful devices out there. forScore runs on macOS Big Sur, both on Intel and Apple Silicon-powered Macs, and it’s included with forScore for iOS and iPadOS as a universal purchase. That’s right—it’s absolutely free for everyone who has ever bought forScore.

IMG_2981.png

From the looks of it, forScore is using Apple's Catalyst technology, which allows iPad apps to be ported to the Mac.

While I have not seen the Mac version of forScore, I have been testing the iOS version of forScore 12. It's great! My favorite small (but significant) feature is that you can now annotate while viewing two pages at a time without the app jolting into annotation mode. You just write directly on the screen with the Apple Pencil and your markings appear immediately.

I store my score backups on my hard drive's file system, which is how I access them on the Mac. But I store my most frequently read scores in forScore on the iPad. I am glad the experience of interacting with my sheet music will now be consistent across both devices.

Something I have felt would need to happen for this to be useful is iCloud syncing. forScore says that is coming too...

Bringing forScore to the Mac is just the beginning—a whole new platform means a whole new set of opportunities. From subtle refinements to major new features already in development like iCloud Syncing, we’re building the future one step at a time.

We’re just getting started. Again.

Using a Mac version of the app with the need to maintain two separate score libraries would have been a nonstarter for me. As an added side benefit, I can see this getting me to use forScore on the iPhone. Its not the best screen size for sheet music, but every now and then, I'd like to be able to take it out of my pocket and reference a score real quick. The problem is that it is never real quick because none of my scores are there!

I could not be more excited about this announcement!

🔗 New Version of Final Cut Pro X Has a 90 Day Free Trial (Which You Can Renew Even if You Already Took Advantage of the FCPX 90 Day Free Trial!)

New version of Final Cut Pro X out!

From Apple Newsroom:

Final Cut Pro X updated with significant workflow improvements:

Today Apple is updating Final Cut Pro X with powerful new features designed to enhance remote workflows and speed up editing for content creators. Improvements in creating and managing proxy media provide editors with portability and performance when working with large resolution formats, or when collaborating remotely. New social media tools automate video cropping in square, vertical, and other custom sizes for popular social media platforms, and new workflow improvements enhance the versatility and performance of Final Cut Pro — making the Mac stronger than ever for all video editors and motion graphics artists.

Teachers rejoice! If you are looking to make online lesson content or virtual band/orchestra/choir/whatever videos this school year, look no further than Final Cut Pro X.

If you were already taking advantage of their 90 day free trial, guess what? They just released a new version, and you can renew your trial with the update!

And if you decide to buy, don't forget to purchase it with Apple's Pro Apps Bundle for Education.

Eliminating Canvas Stress by Writing Content in Markdown

Left: A draft of a Canvas page, written in a text file on my computer. I used the Markdown syntax for headings, lists, and links. Right: What the Canvas page looks like once the text on the left is imported into the course page as HTML.

Left: A draft of a Canvas page, written in a text file on my computer. I used the Markdown syntax for headings, lists, and links. Right: What the Canvas page looks like once the text on the left is imported into the course page as HTML.

My district’s LMS of choice is Canvas, which is pretty stressful to work with. From most accounts I hear about other LMS software, Canvas is far from the worst. “You go to war with the LMS you have” I once heard.

Lately, I am writing my Canvas content in Markdown and storing it as text files on my computer.

Why?

Canvas is littered with user-hostile behaviors. Each class is a separate container. All files, pages, and assignments are quarantined, requiring multi-step procedures for sharing between courses. On top of this, the organizing tools are a mess. I am never 100 percent sure where to go. Even when I do, I have to wait for the internet to load each new thing I click on.

Instead of one file repository that all courses pull from, each class has its own separate Files area.

Instead of one file repository that all courses pull from, each class has its own separate Files area.

Canvas is equally difficult for students. All of the course pages and content are just sort of floating in space. It’s up to the teacher to link the material together meaningful, but the tools to do so are inelegant and unintuitive. My music program has resorted to a website for communicating most general information since it exposes the hierarchy of its structure to our viewers. In other words, we control where every page lives, and our students can get to any part of our site from the navigation bar at the top of the page.

The WYSIWYG web editors you see within most Canvas pages, assignments, and announcements are equally frustrating. They are clunky, the text field is tiny, the buttons for all the tools are ambiguous, and I lose my data if the page refreshes itself or I lose connection. Additionally, it’s hard to anticipate what my formatting will look like before actually clicking the save button.

Lately, I am writing my Canvas content in Markdown and storing it as text files on my computer. By editing in Markdown, I can create content in third-party apps, work with data offline, control where files are organized, search them from the Spotlight, and quickly export as HTML for input into the Canvas HTML editor when I am ready to publish.

Using Mac and iOS Native Apps

I like native applications because the good ones feel designed to look like the computing platform. For example, the forScore app on iOS uses similar navigation buttons and fonts to Apple’s own Mail, Keynote, Pages, and Notes. This way, I don’t feel like I am learning new software.

Native apps that deal with documents store files on my hard drive. I can easily organize them into my own folder system, work on them without an internet connection, open the same file in different applications, and search them from the Spotlight. Document-based apps update your file as you edit your data. Websites often lose your data when they run into issues.

I don’t write anything longer than a sentence or two into the text field of a website. Instead, I draft them inDrafts and move my work to iAWriter for longer projects. Both of these apps can preview Markdown.

What is Markdown?

Markdown is a shorthand syntax for HTML. It empowers me to draft web content without actually writing code. Skim this Markdown syntax guide to see what I mean. You can learn the basics in five minutes.

Drafts and iA Writer have one-button shortcuts to convert Markdown to formatted text or HTML. Here is an example of Markdown, and what it would look like once converted to rich text or HTML.

# Blog Post Title
Here are *three things* I want to do today.
1. Work out
2. Sit in the hot tub
3. Grill some chicken

Let me tell you more about them.

## Work out
Today I will work out on my bike. My wife once said, and I quote:
> The earlier in the day you aim to do it, the more likely it is to happen.

## Sit in the hot tub
This will be relaxing. Maybe I will listen to a podcast there. Here are some recent favorites...
- Sound Expertise
- Sticky Notes
- Upgrade

My favorite podcast player is [Overcast](https://overcast.fm).

Once an app like Drafts or iA Writer converts the Markdown to rich text, it would look like this:

A good Markdown app like iA Writer will convert the syntax to rich text for you and copy it so that you can paste it into an application like Google Docs, Microsoft Word, or your website.

A good Markdown app like iA Writer will convert the syntax to rich text for you and copy it so that you can paste it into an application like Google Docs, Microsoft Word, or your website.

I could have just as easily exported the resulting rich text to a Word document or Google Doc and all of the formatting would have been properly executed.

iAWriter can also export my Markdown as HTML like this:

<h1>Blog Post Title</h1>

<p>Here are <em>three things</em> I want to do today.</p>

<ol>
<li>Work out</li>
<li>Sit in the hot tub</li>
<li>Grill some chicken</li>
</ol>

<p>Let me tell you more about them.</p>

<h2>Work out</h2>

<p>Today I will workout on my bike. My wife once said, and I quote:</p>

<blockquote>
<p>The earlier in the day you aim to do it, the more likely it is to happen.</p>
</blockquote>

<h2>Sit in the hot tub</h2>

<p>This will be relaxing. Maybe I will listen to a podcast there. Here are some recent favorites...</p>

<ul>
<li>Sound Expertise</li>
<li>Sticky Notes</li>
<li>Upgrade</li>
</ul>

<p>My favorite podcast player is <a href="https://overcast.fm">Overcast</a>.</p>

Because Markdown can be converted to HTML automatically, I have found it less stressful to actually write my Canvas pages, announcements, and messages to parents in Markdown and then pasting the resulting HTML into the HTML editor of Canvas. I store my Markdown files in a folder of text files, with subfolders for each course. I have favorited these folders so that they are always accessible in the iA Writer sidebar. These folders are easily accessible. Because I am writing in plaintext, the result feels much more like writing in a simple note app than it does a word processor.

iA Writer links to folders of text files on your hard drive. But it looks like a simple note app.

iA Writer links to folders of text files on your hard drive. But it looks like a simple note app.

Here is an example of a Canvas announcement intended to be shared with one of my band classes early this fall. It contains an embedded Google Form families sign as an agreement to our policies. Markdown and HTML can be written in the same document and iA Writer treats it all as HTML when you export it.

I got the HTML embed straight from the Share menu of the Google Form setup. I didn't need to know any code to make this message!

On the left: a Markdown document that contains HTML code for a Google Form embed. On the right: pasting that as HTML into the HTML editor in Canvas.

On the left: a Markdown document that contains HTML code for a Google Form embed. On the right: pasting that as HTML into the HTML editor in Canvas.

How the resulting announcement appears to students.

How the resulting announcement appears to students.

EDIT: When I wrote this post, I fogtot to add one benefit to having all of these files on your computer… even though Canvas messages don’t support formatting like headings and bold, I draft those in iAWriter too. It is SO much easier to find and re-use old emails I have sent to parents when they are searchable from my computer. Have you ever tried to search your Canvas ‘Sent’ folder? It’s terrible! Local computer copies for the win!

Learn OmniFocus Workflow Guest: October 3, 2020

I am thrilled to announce that I will be joining Learn OmniFocus as a Workflow Guest on October 3rd, 2020.

Learn OmniFocus is a website dedicated to helping others live a fulfilling and productive life with OmniFocus, complementary productivity apps, and services.

You can learn a ton from their free resources, including basics like organizing tasks into projects and assigning tags to them. They also have information on advanced features like project templating and automation.

2020-10-03 - OmniFocus Workflows with Robby Burns - Promo.jpeg

My session will be all about how I use OmniFocus and complementary productivity apps to keep my life as a teacher and musician together. Here is the session description:

Teacher, musician, and technologist, Robby Burns will be joining us from Ellicott City, Maryland to share how he uses OmniFocus and complementary productivity apps to keep his active life on track.

Robby has been using OmniFocus since 2010. He has a long history with Apple technologies and was originally drawn to OmniFocus’ deep integration with Apple’s operating systems. He especially appreciates that the Omni Group is quick to add support for new Apple technologies.

During the LIVE session, Robby will share details of his OmniFocus setup and workflows, including:

  • How and when he uses OmniFocus on his iPhone, iPad, and Mac.

  • Adjustments that he’s made to his use of OmniFocus and complementary productivity apps since switching from in-person to virtual teaching.

  • His strategy for using tags.

  • How he uses the Forecast perspective to keep his calendar lined up with his commitments.

  • How he uses defer dates to relieve the stress of seeing too many things at once.

  • Custom perspectives that help him hone in on his most important tasks, including his “Top 3” perspective that narrows his focus to only three items.

  • How he creates OmniFocus projects based on templates stored in Drafts.

Read more and register here. The session will have a live Q/A and members can interact and share ideas. I hope to see you there!

You can become a member of Learn OmniFocus here. They have educator and student discounts. It is worth checking out if you wish to be more productive!

A free recording of the video will be made available to everyone by October 10.

My Online Teaching Setup (High-Tech Edition)

My studio computer and associated hardware.

My studio computer and associated hardware.

When school let out in March, I wrote My Very Straightforward and Very Successful Setup for Teaching Virtual Private Lessons. The impetus for this post, and its snarky title, was an overwhelming number of teachers I saw on Facebook fussing about what apps and hardware they should use to teach online when all you really need is a smartphone, FaceTime, and maybe a tripod.

I stand by that post. But there are also reasons to go high-tech. I have had a lot of time this summer to reflect on the coming fall teaching semester. I have been experimenting with software and hardware solutions that are going to make my classes way more engaging.

Zoom

I have been hesitant about Zoom. I still have reservations about their software. Yet, it is hard to resist how customizable their desktop version is. I will be using Google Meet for my public school classes in September, but for my private lessons, I have been taking advantage of Zoom’s detailed features and settings.

For example, it’s easier to manage audio ins and outs. Right from the chat window, I can change if my voice input is going through my Mac's internal microphone or my studio microphone, or if video is coming from my laptop webcam or my external Logitech webcam. This will also be useful for routing audio from apps into the call (we will get to that in a moment).

Zoom allows you to choose the audio/video input from right within the call.

Zoom allows you to choose the audio/video input from right within the call.

Zoom also allows you to AirPlay the screen of an iOS device to the student as a screen sharing option. This is the main reason I have been experimenting with Zoom. Providing musical feedback is challenging over an internet-connected video call. Speaking slowly helps to convey thoughts accurately, but it helps a lot more when I say “start at measure 32” and the student sees me circle the spot I want them to start in the music, right on their phone.

You can get really detailed by zooming in and out of scores and annotating as little as a single note. If you are wondering, I am doing all of this on a 12.9 inch iPad Pro with Apple Pencil, using the forScore app. A tight feedback loop of “student performance—>teacher feedback—>student adjustment” is so important to good teaching, and a lot of it is lost during online lessons. It helps to get some of it back through the clarity and engagement of annotated sheet music.

Selecting AirPlay as a screen sharing option.

Selecting AirPlay as a screen sharing option.

AirPlaying annotated sheet music to the Zoom call using the iPad Pro and forScore app.

AirPlaying annotated sheet music to the Zoom call using the iPad Pro and forScore app.

As much as I love this, I still think Zoom is pretty student hostile, particularly with the audio settings. Computers already try to normalize audio by taking extreme louds and compressing them. Given that my private lessons are on percussion instruments, this is very bad. Zoom is the worst at it of all the video apps I have used. To make it better, you have to turn on an option in the audio settings called “Use Original Audio” so that the host hears the student’s raw sound, not Zoom’s attempt to even it out. Some of my students report that they have to re-choose this option in the “Meeting Settings” of each new Zoom call.

If this experiment turns out to be worth it for the sheet music streaming, I will deal with it. But this is one of the reasons why I have been using simple apps like FaceTime up until this point.

My Zoom audio settings.

My Zoom audio settings.

My Zoom advanced audio settings.

My Zoom advanced audio settings.

Sending App Audio Directly to the Call

I have been experimenting with a few apps by Rogue Amoeba that give me more control over how audio is flowing throughout my hardware and software.

Last Spring, I would often play my public school students YouTube videos, concert band recordings from Apple Music, and warm-up play-alongs that were embedded in Keynote slides. I was achieving this by having the sound of these sources come out of my computer speakers and right back into the microphone of my laptop. It actually works. But not for everyone. And not well.

Loopback is an app by Rogue Amoeba that allows you to combine the audio input and output of your various microphones, speakers, and apps, into new single audio devices that can be recognized by the system. I wrote about it here. My current set up includes a new audio device I created with Loopback which combines my audio interface and a bunch of frequently used audio apps into one. The resulting device is called Interface+Apps. If I select it as the input in my computer’s sound settings, then my students hear those apps and any microphone plugged into my audio interface directly. The audio quality of my apps is therefore more pure and direct, and there is no risk of getting an echo or feedback effect from my microphone picking up my computer speaker’s sound.

A Loopback device I created which combines the audio output of many apps with my audio interface into a new, compound device called “Interface+Apps.”

A Loopback device I created which combines the audio output of many apps with my audio interface into a new, compound device called “Interface+Apps.”

I can select this compound device from my Mac’s Sound settings.

I can select this compound device from my Mac’s Sound settings.

Now I can do the following with a much higher level of quality...

  • Run a play-along band track and have a private student drum along
  • Play examples of professional bands for my band class on YouTube
  • Run Keynote slides that contain beats, tuning drones, and other play-along/reference tracks
  • and...

Logic Pro X

Logic Pro X is one of my apps routing through to the call via Loopback. I have a MIDI keyboard plugged into my audio interface and a Roland Octopad electronic drum pad that is plugged in as an audio source (though it can be used as a MIDI source too).

The sounds on the Roland Octopad are pretty authentic. I have hi-hat and bass drum foot pedal triggers so I can play it naturally. So in Logic, I start with an audio track that is monitoring the Octopad, and a software instrument track that is set to a piano (or marimba or xylophone, whatever is relevant). This way, I can model drum set or mallet parts for students quickly without leaving my desk. The audio I produce in Logic is routed through Loopback directly into the call. My students say the drum set, in particular, sounds way better in some instances than the quality of real instruments over internet-connected calls. Isn’t that something...

Multiple Camera Angles

Obviously, there is a reason I have previously recommended a set up as simple as a smartphone and a tripod stand. Smartphones are very portable and convenient. And simple smartphone apps like FaceTime and Google Duo make a lot of good default choices about how to handle audio without the fiddly settings some of the more established “voice conference” platforms are known for.

Furthermore, I can’t pick up my desk and move it to my timpani or marimba if I need to model something. So I have begun experimenting with multiple camera angles. I bought a webcam back in March (it finally just shipped). I can use this as a secondary camera to my laptop’s camera (Command+Shift+N in Zoom to change cameras).

Alternatively, I can share my iPhone screen via AirPlay and turn on the camera app. Now I can get up from my desk and go wherever I need to. The student sees me wherever I go. This option is sometimes laggy.

Alternatively, I can log in to the call separately on the iPhone and Mac. This way, there are two instances of me, and if I need to, I can mute the studio desk microphone, and use the phone microphone so that students can hear me wherever I go. I like this option the best because it has the added benefit of showing me what meeting participants see in Zoom.

Logging in to the Zoom call on the Mac and iPhone gives me two different camera angles.

Logging in to the Zoom call on the Mac and iPhone gives me two different camera angles.

SoundSource

This process works well once it is set up. But it does take some fiddling around with audio ins and outs to get it right. SoundSource is another app by Rogue Amoeba that takes some of the fiddly-ness out of the equation. It replaces the sound options in your Mac’s menubar, offering your more control and more ease at the same time.

This app is seriously great.

This app is seriously great.

This app saved me from digging into the audio settings of my computer numerous times. In addition to putting audio device selection at a more surface level, it also lets you control the individual volume level of each app, apply audio effects to your apps, and more. One thing I do with it regularly is turn down the volume of just the Zoom app when my students play xylophone.

Rogue Amoeba's apps will cost you, but they are worth it for those who want more audio control on the Mac. Make sure you take advantage of their educator discount.

EDIT: My teaching set up now includes the use of OBS and an Elago Stream Deck. Read more here.

Conclusion

I went a little overboard here. If this is overwhelming to you, don't get the idea that you need to do it all. Anyone of these tweaks will advance your setup and teaching.

This post is not specific about the hardware I use. If you care about the brands and models of my gear, check out My Favorite Technology to read more about the specific audio equipment in my setup.

🎙 #14 - Empowering Performing Ensembles at a Distance, with Theresa Hoover Ducassoux

Theresa Hoover Ducassoux joins the show to talk about technology for teaching band at a distance, productivity methodologies, Google apps for personal and school use, Flipgrid, empowering students, and more...

Other topics:

  • Personal productivity systems and apps
  • The Getting Things Done Methodology
  • Teaching band online
  • Being creative with whatever teaching scenario and schedule your district is moving forward with this fall
  • Engaging students with musical performance using the Flipgrid video service
  • Google apps for personal productivity
  • Google apps for classroom teaching
  • Organizing files in Google Drive
  • Automating band warm ups
  • Chamber music breakout groups using Google Meet and Soundtrap
  • Getting Google Certified
  • Her book- Pass the Baton: Empowering All Music Students
  • Our favorite album and apps of the week

Show Notes:

App of the Week:
Robby - Loopback by Rogue Ameoba (They have educator discounts)
Theresa - Flat for Docs

Album of the Week:
Robby - Jennifer Higdon Harp Concerto
Theresa - Dustin O’Halloran, piano solos

Where to Find Us:
Robby - Twitter | Blog | Book
Theresa - Twitter | Website - MusicalTheresa.com | Book - Pass the Baton: Empowering All Music Students | Blog - Off the Beaten Path

Please don't forget to rate the show and share it with others!

Subscribe to Music Ed Tech Talk:

Subscribe to the Blog

Subscribe to the Podcast in... Apple Podcasts | Overcast | Castro | Spotify | RSS

Due app gets an Update for the Mac

Due is an indispensable app that I depend on daily on both iOS, the Apple Watch, and the Mac. There are three things that immediately come to mind when I think about why I like this app over the basic Reminders app.

  1. Its design is beautiful, intelligent, and easy to read.
  2. Its natural language parsing is a breeze... "remind me to help with lunch duty at 11:27 am" adds a reminder with the time just as I type it.
  3. The swipe down gesture to add a new task is very intuitive.
  4. By far, most important: you can set the notifications to keep pinging you until you check the task as done. You can even customize the amount of time it snoozes when you tap the snooze button.
Unknown.png

I don't use this app to manage big projects. For that, I use OmniFocus. But for tasks that have to be acted on in a very specific moment, Due is the tool for the job.

It just got a major Mac update. Most of the changes are design focused, which I can appreciate because the Mac app, while it functioned, was starting to look pretty out of date. If you want to read more of the specifics, I recommend the MacStories article linked below.

Due for Mac Modernized with New Design and Features:

A full-fledged task manager is terrific for many projects, but if you dump your entire life into one, it can quickly become a cluttered mess. At the same time, if you’re focused on a big project, it’s easy to let everything that’s not in your task manager slip through the cracks. One strategy for attacking the problem that has worked well for me is using a separate, lightweight app for tasks like remembering to take out the garbage, pick up medicine at the pharmacy, or publish an article when an embargo lifts.

In the past, I’ve used Due on the iPhone and iPad for these sorts of tasks. There has been a Mac version of Due for years too, but it hadn’t been updated in about two years and was showing its age. However, with today’s update, Due for Mac joins the iOS version with a fully-modern design and slate of new features, putting it on par with the outstanding iOS version, which I’ve covered in the past.

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