orchestra

Scale Dice by Way of Dice by PCalc – Ehler

I use the app Dice by PCalc to simulate the rolling of various dice while playing tabletop and role playing games. It is good fun, but not something I have used in the classroom. Ehler has the very cool idea of using it for assigning scales. You could use these similarly for any kind of classroom need where you have to randomize an order of something (and make it fun).

You can check out the app here and read Ehler's post below, which includes a link to download the scale dice into the Dice app.

Scale Dice by Way of Dice by PCalc – Ehler

I’ve known many directors over time to use “scale dice” to help students practice their major scales with an element of randomness. In Iowa, this is a useful preparation for All-State auditions, but it can be a handy thing to do in sectionals and small-group lessons too. Dice by PCalc has support for custom dice, and these wind up looking great.

Currently, the app supports six distinct dice designs on screen at a time (so it would be easy and practical to have six different students at once get assigned a scale with a single roll)

You can configure these dice yourself, but I’ll save you the work by sharing my “custom dice” export here.

Always Start from the Beginning: Developing Tone Quality, Intonation, Concert Repertoire, and Classroom Management through Unison Playing in Performing Ensembles

This post first appeared on the NAfME Blog on December 7, 2021. You can read it there by clicking here.


Always Start from the Beginning

Every year I teach band, I start from the beginning. I find that if I rebuild the ensemble, focusing on fundamentals, it is impossible to fail.

This is especially true after many programs have lost over a year of in-person instruction. Even if students' skills have been sustained or improved, they are likely returning to the classroom with less handle on things that they can only learn in a group: intonation, balance, blend, and even basic rehearsal expectations.

They will have to relearn how to listen outside their comfortable bubble of one.

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Caption: A mixer at the front of the room allows me to pump my voice, computer, and phone through a stereo and mix them to taste.

I want to describe some of the teaching strategies that have been most helpful this fall (and long since before COVID) while also sharing some technological tips I have taken from virtual learning into this year. I will explain how I am implementing them in my beginning band class to ensure that they develop great ears, strong ensemble sound, musicianship, and all while preparing concert music.

Developing the Ear

All excellent music-making starts with the ear. In Musical Performance: Learning Theory and Pedagogy, Daniel Kohut claims that students need a “superior concept” of the sound they wish to make. I believe this is much easier to achieve while playing in unison. Young musicians often learn this way by nature of beginning method books focusing on familiar, unison melodies, which elementary school teachers teach in instrument-specific sectionals. But when students first join a large ensemble, they can lose their independent sense of tone, intonation, and balance if too many separate voices start happening in their concert literature too soon.

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Caption: The Tonal Energy Tuner app is only a few dollars, and it play justly in-tune polyphonic drones and a metronome simultaneously.

My Concert Band class has 50 6th and 7th-grade students. Many of these students are first-year players. This year, most of them had only experienced a half year of in-person band before walking into my classroom.

I decided to keep them playing in unison for as long as I could keep them interested. I wanted to emphasize tone quality, intonation, balance, and bend, while somehow managing the classroom and preparing them for a December concert. And I wanted to keep things fun. Was it possible to do all of this? Yes!

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Caption: Dorico’s popovers, like this one for dynamics, allow you to enter notation naturally and quickly. Adding solfege with the Lyrics popover was equally easy.

Transforming Concert Literature into Unison Melodies

I started by ensuring that I centered instruction around accessible melodic material from the method book rather than technical exercises and drills. Additionally, I took the pieces I was planning for our winter concert and wrote out every person's part for every instrument using Dorico. Dorico’s keyboard shortcuts and flow-based composing make it easy to design supplemental resources as quickly as you can think.

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Caption: Last school year, my team purchased some equipment to support hybrid teaching. This year, we have repurposed that gear to integrate audio technology into traditional rehearsals seamlessly.

The guides are organized by rehearsal marking. For example, Part 1 has everyone in the band playing the bass line of measures 1-8. By playing each part of the music sequentially, students get more practice sight-reading while learning who in the band plays which notes. By playing in unison, they leverage their strength in numbers to develop firmer and more stable tone quality while learning to hear what an ensemble blend should sound like for the first time.

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Caption: This is what an individual part looks like in Dorico once completed. Instead of isolating sections of the band during rehearsal, I can have everyone playing at all times. For example, if I want to work with the tuba part in measure one, I can tell the entire band to play “Part 1. Lower Voice” and keep everyone engaged.

I write solfege into these practice guides and alternate between the students singing and playing. In a year without any COVID concerns, I would also encourage the brass to buzz these melodies on mouthpieces to develop their inner ear and flexibility.

Play-Along Resources Help Model Tone, Intonation, and Tempo

There is always a drone prominently playing through our sound system using the Tonal Energy Tuner app. The polyphonic drones can model justly in-tune intervals. Students can subtly adjust their pitch by making the “beats” that result between two out-of-tune pitches slow down and eventually dissolve.

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Caption: One of the easiest and most engaging ways to encourage metronome practice is to play along to the Drummer Tracks in GarageBand. There are numerous styles, beats, and editing tools at your disposal. Beats are way more fun to play with and provide more musical feeling than a metronome.

I have created play-along tracks that combine trap beats with tuning drones. I like to pump them through the speakers during warm-ups and throughout rehearsal. You can make these too using the free GarageBand app on iOS.

Sometimes, I will have Tonal Energy coming through my phone and the beats coming through my Mac. This allows me to mix the drone and the metronome independently, as they are plugged into two separate channels of my mixer.

Speaking Calmly, Being Everywhere

A Shure wireless microphone goes into a third channel of the mixer, allowing me to speak in a comfortable room voice and be heard over the sound of loud drones, beats, and a full band of 50-65 students playing.

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Caption: This Shure wireless headset microphone has been a game-changer this year. I don’t ever have to raise my voice to be understood. I can speak comfortably and be heard over the sound of a pumping drone and 60 students playing.

This technique works wonders for classroom management. Flowing from one part of our daily agenda to the next is nearly seamless because of how easy it is to keep everyone playing most of the rehearsal. With these persistent play-alongs underlying most of the rehearsal, my role could be described less like a traditional director and more like a spin instructor.

This might sound ridiculous at first, but it is true. A spin instructor curates music, keeps the beat moving you forward and paces instruction, all while making you sweat. This is precisely how I want my role to feel in the band room. I like to think of myself as a “coach” who directs students towards the goal while they work for it, rather than a “director” who beats the music into them.

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Caption: My colleague, Ben Denne, teaches from our “command station” at the front of the room.

The wireless mic allows me to step off the podium and be heard from anywhere in the room. While the band is playing, I can be high-fiving students, sizing a student for concert attire, helping percussionists find their place, encouraging good trombone posture, or any other need. I can be everywhere and still keep the flow of rehearsal moving even when I’m off the podium.

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Caption: Farrago is a useful app for queuing play-along material in a soundboard-style audio launcher. I keep my scale tracks organized and color-coded by key and rhythmic patterns to find them more easily.

Taking the Slow Road Gets Maximum Results

Once it is time to hand out concert music, I'm delighted to hear students say things like, "wait, we know this!." By this point, they can sing every part, play every part, and can now split into three or four unique voices because they are more confident in their melody from having practiced it with the strength of 60 musicians in unison.

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Caption: AnyTune is another excellent app that can change the speed and pitch of a play-along track independently.

The results are clear. I have never had a more engaging, fun, and tightly managed beginning band experience. Students are developing fundamentals at a pace consistent, if not better, than a typical year, and we are stronger for it.

METT Episode #42 - Pass the Baton, with Theresa Hoover

There's a new episode of Music Ed Tech Talk out!

Theresa Hoover returns to talk about career changing, COVID practices worth bringing into this school year, productivity apps, and empowering student creativity!

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Show Notes:

App of the Week:
Robby - Instapaper / Readwise Theresa - Kumospace

Album of the Week:
Robby - Turbo Theresa - Cory Wong

Tech Tip of the Week:
Robby - Safari Tab Groups, Sync Safari and Chrome bookmarks with a Windows PC Theresa - Chrome Reading List / Favicons Favorite Bar

Where to Find Us:
Robby - Twitter | Blog | Book
Theresa - Twitter | Website

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Making Tunable, with Seth Sandler (Music Ed Tech Talk Ep. 40)

Seth Sandler, maker of the poplar mobile tuner app Tunable, joins the show to talk about the process of making a tuning app, developing for iOS/Mac, and more!

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Show Notes:

App of the Week: BusyCal

Album of the Week: Chris Thile - Laysongs Acapella Musicals on Spotify

Where to Find Us: Robby - Twitter | Blog | Book
Seth - Twitter

Please don't forget to rate the show and share it with others!

3 Things I Started Doing with My Band Class During COVID That I Will Do Every Year From Now On

It seems plausible that some people subscribe to this blog and do not follow me on Twitter, so allow me to expand this recent Tweet thread into a lazy blog post.

Thread: a few things I am doing in my band teaching this year, that I previously didn't have the time or resources to organize, but COVID forced my hand. (I will definitely be doing each of these every school year from now on)...

A chart designed by my colleague Ben Denne. By thinking critically about music that will challenge, but not overwhelm them, students pick their select their own, grade appropriate, solo music.

A chart designed by my colleague Ben Denne. By thinking critically about music that will challenge, but not overwhelm them, students pick their select their own, grade appropriate, solo music.

  1. Solo prep: by asking colleagues for rep ideas across all instruments, I created a resource in my LMS that guides students through a process of selecting appropriate solo rep for our district Festival and then registering for it. Student enrollment is up over 300 percent this year.

  2. Composition: students LOVE writing short themes and ostinato patterns in Noteflight After recording their comps, they will make unique band arrangements out of each other’s recordings in Soundtrap by dragging them on top of one another and splicing/editing them, like loops. Inspiration for this idea and supporting materials provided by Alex Shapiro and can be found here.

  3. Recording: having my students record video performances is not new. But having them record in a DAW, with respect to measure number, beat placement, and a metronome has been huge for our understanding of rhythm and form. Also it requires them to practice way more.

And then there are 100 new things I can do in my general music class simply by having access to a notation editor and DAW. I don't have enough time to detail them now but here is one example:

As much fun as I have grinding in Final Cut Pro, I do NOT see virtual band videos becoming a thing beyond this school year. It was fun while it lasted. Here's last year's WW Quintet:

Are any of these ideas worth writing about in more detail? Let me know on social media or by heading over to my Contact page.

➡️ Develop Performance Skills With Cloud Software

*The following post first appeared on the NAfME Blog on April 19th, 2021.

Over the past year of remote and hybrid instruction, teachers have reimagined the tools, assignments, and methods that best engage their students. The need to engage my band students from a distance has challenged me to depend on cloud-based tools that still foster the development of their performance skills. The features of these cloud tools allow me to engage students in new ways by introducing interactive projects, collaboration with peers, and automated grading.

The ideas below will be featured in my presentation at the NAfME Eastern Division Conference this weekend. Register here to join me and the many exceptional presenters who will be sharing their ideas.

What is Cloud Software

Cloud software is a buzzword in the technology industry that is used to describe apps that run in a web browser. Examples of cloud-based music software include BandLab, Soundtrap, Noteflight, MusicFirst, and Flat for Education, to name a few. Because these offerings are web-based, they can run on nearly any computer with a web browser, as long as you have an internet connection. For this reason, they are more widely accessible to all students and can be integrated into an LMS (learning management software) like Canvas, Blackboard, and Google Classroom.

Here are some practical ideas for assignments in a performing ensemble using cloud software.

Noteflight

Noteflight is a music notation tool that runs on the web. In recent years, Noteflight has expanded to offer Noteflight Learn, which allows teachers to take Noteflight content and assign it to students in their class, much like an LMS. In the past year, Noteflight has added a feature called SoundCheck which can take these assigned Noteflight scores, and assess student performance for note/rhythm/pitch accuracy.

The line beneath the staff represents the pitch and note accuracy of the performance.

Students can play these scores, practice to them at any speed, and loop tricky sections. When they are done recording themselves, Noteflight provides an accuracy score and a line beneath the notes which indicates pitch and note inaccuracies by the counter and color of the line.

Changing the tempo in SoundCheck

You can make any Noteflight score into a Soundcheck-enabled assignment. If the score is linked to an assignment in your LMS, the student score will automatically go into your grade book. Because computers are not perfect, I prefer to go back and listen to my students who don't receive good scores on assignments, to make sure I agree with the automatic grade.

Generally, is better at assessing note accuracy than pitch, so I tend to use SoundCheck as a first step to ensuring students are prepared for their music. Finer qualities in the music like tone and articulation are best left to video assessments with more comprehensive rubrics.

Getting Existing Music Into Soundcheck

If you have music that outside of Noteflight that you want to turn into an assessment, some apps can help. I use an app called Sheet Music Scanner on my iPad to take pictures of paper sheet music and turn them into XML files. XML is a file format that can pass notation projects from one notation editor to another. Once the XML version is saved to my device, I can import it into Noteflight and then assign it to my students.

Notation editors like Sibelius and Dorico can export to XML. If you have already created a score in a professional editor, it is easy to turn into an assignment.

Sheet Music Scanner can take sheet music and turn it into an XML or audio file.

Sheet Music Scanner files can be played back, tempo adjusted, and exported to a variety of useful file formats.

Flipgrid

If your LMS does not have a video recording feature built-in, you might want to check out Flipgrid. My LMS has a video feature, and I still use Flipgrid because it makes video recording whimsical and fun. The Flipgrid interface puts an active circle around your face when you have submitted a recent video (like an Instagram story). Students can add filters, emoji, text, and other effects to their final videos. Students can watch each other's videos, and leave video responses. It is like a mini social network for your class, with lots of control over the privacy settings.

Flipgrid also integrates into LMS software, so you can use it as an alternative to the basic video recorder if you wish.

Flipgrid videos can feature engaging effects, emoji, and filters. Student submissions appear with a colorful ring around their face like an Instagram story.

Soundtrap

Soundtrap is a web-based DAW (digital audio workstation). I have heard it described as "if Google Docs and GarageBand had a baby." This is because it looks and functions like GarageBand, but runs on the web. Like Google's apps, it is also collaborative. This means that you can have two or more students editing the same project at the same time while discussing their progress in a chat.

Soundtrap is great for producing beats, songwriting, and all of the things you would expect to do with access to limitless software instruments, samples, and pre-made loops. But what I use it for in the band room is to teach chamber music.

If I have a flute trio, for example, I can provide the music to my students and then invite them all to a Soundtrap project. Each student can create their audio track and record their part to the metronome. They can all be doing this simultaneously. Once they click save, they can play it back and hear what they sound like alongside one another in a somewhat real-time experience.

This template provides students with a play-along track, and a separate track for each part. The pre-recorded tracks were performed by a high schooler to model notes/rhythms/tone for my students. The reference tracks can be independently toggled on and off. Before saving, my students toggle everything off except their own performances.

A fun alternative to this is to give a small ensemble piece to a single student and have them overdub themselves playing each part. This can help them to better understand how the varying parts fit together and complement one another. In cases like this, I have reached out to the local high school and asked for student volunteers to play all of the parts to a metronome. I then take all of the high schooler's recordings and add them as tracks in a Soundtrap template so that my students can toggle each part on and off for reference while they are recording.

You can see an example of this around the 20-minute mark in the video below.

Conclusion

These cloud-based assignments empower all students to participate in engaged music-making, alone and in groups. Nailing down the accuracy with a metronome will do wonders for their sense of timing and internal pulse. With recording assignments in Noteflight and Soundtrap, my students will do numerous takes until they get it just right! I cannot speak highly enough of these tools, and I certainly plan to use the assignment ideas above even when we return to a fully in-person learning environment.

If a video of this process is more your speed, you can watch how some of it works below. I also have a podcast version of this post available here.

"Rehearse Your Ensembles Remotely!" at the MMEA Inservice Conference this Saturday, March 5

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If you are a NAfME or MMEA member, please join Maryland at our Inservice Conference this weekend. I will be presenting a session titled Rehearse Your Ensembles Remotely! on Saturday, March 6 at 5:45 pm.

Here is the session description:

Learn the strategies and technologies to run engaging synchronous rehearsals. Engage students visually and speed up your flow using Open Broadcasting Software. Pump the sound video/music/play-along tracks directly through Zoom or Google Meet for a lag-free experience. Explore play along with resources, student reflection with Google Docs, effective camera/mic practices, and have students working collaboratively in synchronous chamber ensembles with Soundtrap! Software discussed includes: Keynote, Google Slides, Loopback, Soundsource, Farrago, AnyTune, Soundtrap, Smartmusic!

Introducing My "Scale Exercise Play-Along Tracks With Trap Beats" - Available Now on My New Online Store!

I am announcing a new section of this website. A STORE! Starting today, I will be selling digital products and services I have created for musicians and music teachers. Check it out here!

First up is a collection of Scale Exercise Play-Along Tracks with Trap Beats underneath them.

You bet there's a promotional video.

Here is the product description from the sale page:

This collection contains over 70 major scale play-along tracks for your ensemble.

Each track includes a tuning drone playing the tonic with a scale overtop in just intonation so that you can reinforce flawless intonation, tone production, and blend amongst your students. Every exercise includes a count-off and a trap beat underneath to engage your students while reinforcing slower playing and subdividing!

The audio-only version of this package includes mp3 files of the following recordings in all twelve major keys, at 70bpm.

  • Whole note scale

  • Half note scale

  • Quarter note scale

  • Eighth note scale

  • Scale Exercise in Thirds

  • Mini-Scale with Arpeggio

Also included:

  • Remington at three different speeds! Perfect for playing underneath many of the exercises that come from popular band methods.

The premium version of this product includes the audio tracks above in addition to the Logic Pro and GarageBand stems so you can edit every element of the tracks, including speed, pitch, and instrumentation.

These are perfect for running through your Zoom/Google Meet/Virtual Classroom to keep kids playing as much as possible.

I have been using tracks like these with my band students for years now and they LOVE them. The trap beat resonates with them. Its popularity in hip hop music aside, there is something compelling about them, musically. The backbeat on three, combined with the busy hi-hat activity, helps kids subdivide slower tempos and keeps them motivated to practice stuff like long tones and scales. The strong 808 baseline asserts the beat while adding fun syncopation.

It was essential to me that the drones were in just intonation because I teach my students to hear and adjust to the beats that result when unison pitches and diatonic intervals are in/out of tune. The Yamaha Harmony Director was definitely the tool for the job. Here's a really brief blog post I shared earlier this month about the process if you want to take a stab at making something like this.

You can alternatively do this process using the (excellent) Tonal Energy Tuner App, a MIDI keyboard, and GarageBand on iOS. I wrote about that here. I prefer the Tonal Energy experience, but the Yamaha's hardware keys made it easier to "perform" the drones and allowed me to create in Logic Pro, which I am more proficient in.

The original concept for this was very ambitious initially, and I simplified the vision a ton to help myself "ship it." I have seen music teachers asking for something like this on social media a lot lately, and it seemed like time to do the work. I am happy with how they turned out and I hope to create more of these down the road in varying style, tempo, and exercise patterns.

A few notes:

  1. Due to file upload limitations on Squarespace, buying the stems directs you to download a text file instead of the audio files. The text file contains a link to a third-party hosting source. A little inelegant, I know, but setting up a Squarespace store was otherwise the most comfortable choice.
  2. These are incredibly effective for engaging synchronous ensemble rehearsals. No, we still can't play at once, but running rehearsal tracks through your Google Meet or Zoom call while students are muted is a great way to keep them playing. These tracks are slow enough that I have had success having groups of 3-6 unmute while playing along, and it is not total chaos. Between these, my Solfege Bingo tracks, and The Breathing Gym DVD, we can be synchronously active for more than 80 percent of each class. I get the audio to route directly through to the call using Loopback.
  3. Many of these tracks, particularly the scale exercise in thirds, mini-scale, and Remington tracks, pair perfectly with a multitude of examples in the Foundation for Superior Performance band method books series. I did not title them as such because the book and my project are in no way connected. I bring it up here because I know those exercises are ubiquitous in band rehearsals, and it's for this reason, many directors have their students purchase those books.
  4. I made the arrangements of these tracks simple to keep the appeal as wide-reaching and flexible as possible. My hope is that people who really want to change the style, edit the beat, change the speed, or any other kind of alternation, will buy the version that comes with the GarageBand and Logic stems. Tip: If you want to use software instruments to create your own accompaniment, and want them to be justly in tune with my tracks, Logic Pro has support for tuning systems. That means that if you mute my trap beat and add your own samba tracks, you can have the instruments play in the key area you select instead of their usual equal tempered tuning.

🎙 #14 - Empowering Performing Ensembles at a Distance, with Theresa Hoover Ducassoux

Theresa Hoover Ducassoux joins the show to talk about technology for teaching band at a distance, productivity methodologies, Google apps for personal and school use, Flipgrid, empowering students, and more...

Other topics:

  • Personal productivity systems and apps
  • The Getting Things Done Methodology
  • Teaching band online
  • Being creative with whatever teaching scenario and schedule your district is moving forward with this fall
  • Engaging students with musical performance using the Flipgrid video service
  • Google apps for personal productivity
  • Google apps for classroom teaching
  • Organizing files in Google Drive
  • Automating band warm ups
  • Chamber music breakout groups using Google Meet and Soundtrap
  • Getting Google Certified
  • Her book- Pass the Baton: Empowering All Music Students
  • Our favorite album and apps of the week

Show Notes:

App of the Week:
Robby - Loopback by Rogue Ameoba (They have educator discounts)
Theresa - Flat for Docs

Album of the Week:
Robby - Jennifer Higdon Harp Concerto
Theresa - Dustin O’Halloran, piano solos

Where to Find Us:
Robby - Twitter | Blog | Book
Theresa - Twitter | Website - MusicalTheresa.com | Book - Pass the Baton: Empowering All Music Students | Blog - Off the Beaten Path

Please don't forget to rate the show and share it with others!

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Making Just Intonation Play Along Tracks for Your Performing Ensemble (Using Tonal Energy and GarageBand)

There are a few things that would be helpful to know about my music teaching philosophy before reading this post.

1. I believe that tone production, intonation, balance and blend are central to teaching performing musicians. I prioritize them much higher than fingering technique, rhythmic precision, and even reading comprehension.

2. The way I structure my band classes starts with, is focused on, and always revisits those core ideas.

3. I have accumulated a vast variety of tools and teaching strategies to meet my goals of having superior tone quality, intonation, balance and blend. One of the most essential tools I use is the Tonal Energy Tuning app.

Tonal Energy Tuner

What is Tonal Energy? A hyper charged, power-user app for musicians that has many advanced features, including...

- Tuning drones that can be triggered polyphonically

- Feedback as to how in tune a performer is, which includes a delightful happy face to depict good or questionable intonation

- Drones and feedback can be adjusted to different temperaments

- A metronome (with more features than nearly any alternative on the App Store) that can be used separately or at the same time as the tuning drones

- Analysis tools that depict amplitude and intonation on an easy to read visual graph 

- Recording and play back practice tools for musicians to listen back to their performance

- Automated metronome pre-sets that can be sequenced 

See the video below. I will first depict the tuner playing a Bb drone, then I will show how it can model a Bb major triad all at once. Then I will turn the tuner to just intonation mode, and you will hear that the third and fifth of the chord are appropriately adjusted so that they are in tune with the Bb root. Next, the video will demonstrate how the metronome can be used in combination with these drones.

Imagine now that a student is playing a scale along with Tonal Energy. By leaving the tuner in just intonation, and centering around the key area of Bb major, every note of the scale that I touch will resonate accurately with the Bb, giving the student an accurate reference to blend into.

Developing An Inner Ear for Diatonic Intervals

Much of music is made up of scales. For a student to learn how to most accurately tune different intervals and chords, I have the drone running in the background during most of my teaching in whatever key area we are working in. I then move my finger to the correct notes of the melody to model and reinforce what good intonation would sound like. See below for an excerpt of a song my beginning students might play.

In the video below, watch as I play this song by dragging my finger along to the melody. This happens with a metronome to reinforce the beat. I like that TE has the option to speak counts out loud. In my experience, this really reinforces a concept of strong beats, weak beats, where in the measure the performer is. Other tuning apps have the counting feature as an option, but the sounds in TE sound more natural and less computerized.

Making Play Along Tracks in GarageBand

As you can imagine, I am doing a lot of dragging my finger along while students play for me. This gets tedious. I also want my students to be able to hear these pitch relationships when they practice, so I have begun recording them into play along tracks. How do I do this?

Inter-App Audio Apps and Audio Extensions in GarageBand

In the iOS GarageBand app, audio input is usually performed using either software instruments or by recording audio directly into the device with the microphone. But what you might not know is that you can also create a track that is based on the audio output of a third party audio app. If you have ever used a DAW, think of Inter-App Audio Apps and Audio Extensions like plugins. Once launched, you are kicked into a third party interface (much like using a reverb plugin from Waves or a synthesizer from Native Instruments) which then adds to or alters the sound of your overall project. In a more recent GarageBand update, Apple categorizes Inter-App Audio and Audio Extensions under the External option when you create a new track. 

Audio Extensions are effects that alter your tracks like reverbs and EQs, while Inter-App Audio captures the audio of a third party app and records it into its own track in GarageBand. You can browse the App-Store for Audio Extensions that work with GarageBand. 

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Recording an Inter-App Audio App Directly Into A GarageBand Project

Watch in the video below as I set up an Inter-App Audio App track with Tonal Energy. What I am going to do next is press record, and record my justly in tune play along of Lightly Row into my GarageBand project. I will do this using the euphonium sound. The euphonium drone is one of the roundest, darkest, and fullest sounds, while also containing a great range, so it is effective for most instruments to play along to while also modeling a rich, full, resonant sound.

Accurate Note Input with MIDI Controllers

In this video, you can really hear how sloppy the transition from one pitch to the next is when I drag my finger. Notice also that I did not play repeat notes. It is difficult to play the same pitch twice in a row without Tonal Energy changing itself to that key area. One way around these challenges this is to set up a portable MIDI keyboard with Tonal Energy. The one I have settled in is the CME X-Key with Bluetooth.

It has a sleek look, is very small, and has low key travel. It has buttons for pitch shifting and octave jumping. And Tonal Energy adapts to it in just intonation mode! Watch in the video below. As I change which chord I am playing, TE automatically snaps the third and fifth of each triad in tune, relative to the root. For my Lightly Row performance, I can now hold a Bb drone on in one hand, while playing a melody in the other.

Embellishing The Track with Other Instruments

The resulting play along track is alone pretty useful for students. Let’s make it more fun by adding a drum track.

We can make it even more fun by embellishing with bass and other instruments. I like to change up the style of these play alongs. Sometimes I don't even pre-record them, I just improvise along with my students to keep things fresh. Be careful though. These software instruments are NOT justly in tune, so too many of them can defeat the purpose. I try to combat this by having the drone be the loudest thing in the mix. Notice in this recording I have tried not to create any motion in the accompaniment that interferes with the consonant intervals in the melody, so that the listeners ears can remain focused on the drone for their reference.

Conclusion

Well, that's it! I can trigger these in rehearsal, sectional, and even share them with my students for home practice. Regular practice with tuning drones has really turned around my band's sound, and gives students the foundations for long term ear skills that will help them to HEAR what is in tune, not just respond to the commands “you're sharp!” and “you’re flat!”