itunes

METT Episode #23 - Rogue Amoeba Audio Apps, with Paul Kafasis

Paul Kafasis, CEO of Rogue Amoeba, joins Robby to talk about the stellar audio apps they make and how Robby is using them in the music classroom both before and during COVID.

Show Notes:

Rogue Amoeba Website: Macaudio.com

Robby's Scale Exercise Play-Along Tracks
Stream Deck

Rogue Amoeba Apps:

Audio Hijack
Loopback
Sound Source
Piezo
Farrago
Fission
Airfoil
Ultimate Podcast Bundle
Educator Discount and Volume Pricing

My blog post on Audio Hijack
My blog post on Loopback

Mimeo Photos Extension for the Mac | Make premium printed photo projects right on your Mac

Acorn | Full Featured Photo Editor for the Mac

App of the Week:
Robby - Pixelmator Pro
Paul - Tot

Album of the Week:
Robby - Charlie XCX | How I'm Feeling Now
Paul - The Colour and the Shape | Foo Fighters

Where to Find Us:
Robby - Twitter | Blog | Book
Paul - Twitter | Website

Please don't forget to rate the show and share it with others!

Subscribe to Music Ed Tech Talk:

Subscribe to the Blog

Subscribe to the Podcast in...
Apple Podcasts | Overcast | Castro | Spotify | RSS

Introducing My "Scale Exercise Play-Along Tracks With Trap Beats" - Available Now on My New Online Store!

I am announcing a new section of this website. A STORE! Starting today, I will be selling digital products and services I have created for musicians and music teachers. Check it out here!

First up is a collection of Scale Exercise Play-Along Tracks with Trap Beats underneath them.

You bet there's a promotional video.

Here is the product description from the sale page:

This collection contains over 70 major scale play-along tracks for your ensemble.

Each track includes a tuning drone playing the tonic with a scale overtop in just intonation so that you can reinforce flawless intonation, tone production, and blend amongst your students. Every exercise includes a count-off and a trap beat underneath to engage your students while reinforcing slower playing and subdividing!

The audio-only version of this package includes mp3 files of the following recordings in all twelve major keys, at 70bpm.

  • Whole note scale

  • Half note scale

  • Quarter note scale

  • Eighth note scale

  • Scale Exercise in Thirds

  • Mini-Scale with Arpeggio

Also included:

  • Remington at three different speeds! Perfect for playing underneath many of the exercises that come from popular band methods.

The premium version of this product includes the audio tracks above in addition to the Logic Pro and GarageBand stems so you can edit every element of the tracks, including speed, pitch, and instrumentation.

These are perfect for running through your Zoom/Google Meet/Virtual Classroom to keep kids playing as much as possible.

I have been using tracks like these with my band students for years now and they LOVE them. The trap beat resonates with them. Its popularity in hip hop music aside, there is something compelling about them, musically. The backbeat on three, combined with the busy hi-hat activity, helps kids subdivide slower tempos and keeps them motivated to practice stuff like long tones and scales. The strong 808 baseline asserts the beat while adding fun syncopation.

It was essential to me that the drones were in just intonation because I teach my students to hear and adjust to the beats that result when unison pitches and diatonic intervals are in/out of tune. The Yamaha Harmony Director was definitely the tool for the job. Here's a really brief blog post I shared earlier this month about the process if you want to take a stab at making something like this.

You can alternatively do this process using the (excellent) Tonal Energy Tuner App, a MIDI keyboard, and GarageBand on iOS. I wrote about that here. I prefer the Tonal Energy experience, but the Yamaha's hardware keys made it easier to "perform" the drones and allowed me to create in Logic Pro, which I am more proficient in.

The original concept for this was very ambitious initially, and I simplified the vision a ton to help myself "ship it." I have seen music teachers asking for something like this on social media a lot lately, and it seemed like time to do the work. I am happy with how they turned out and I hope to create more of these down the road in varying style, tempo, and exercise patterns.

A few notes:

  1. Due to file upload limitations on Squarespace, buying the stems directs you to download a text file instead of the audio files. The text file contains a link to a third-party hosting source. A little inelegant, I know, but setting up a Squarespace store was otherwise the most comfortable choice.
  2. These are incredibly effective for engaging synchronous ensemble rehearsals. No, we still can't play at once, but running rehearsal tracks through your Google Meet or Zoom call while students are muted is a great way to keep them playing. These tracks are slow enough that I have had success having groups of 3-6 unmute while playing along, and it is not total chaos. Between these, my Solfege Bingo tracks, and The Breathing Gym DVD, we can be synchronously active for more than 80 percent of each class. I get the audio to route directly through to the call using Loopback.
  3. Many of these tracks, particularly the scale exercise in thirds, mini-scale, and Remington tracks, pair perfectly with a multitude of examples in the Foundation for Superior Performance band method books series. I did not title them as such because the book and my project are in no way connected. I bring it up here because I know those exercises are ubiquitous in band rehearsals, and it's for this reason, many directors have their students purchase those books.
  4. I made the arrangements of these tracks simple to keep the appeal as wide-reaching and flexible as possible. My hope is that people who really want to change the style, edit the beat, change the speed, or any other kind of alternation, will buy the version that comes with the GarageBand and Logic stems. Tip: If you want to use software instruments to create your own accompaniment, and want them to be justly in tune with my tracks, Logic Pro has support for tuning systems. That means that if you mute my trap beat and add your own samba tracks, you can have the instruments play in the key area you select instead of their usual equal tempered tuning.

🗒 TMEA Session Notes - “Digital Organization Tips for Music Teachers” and “Working with Digital Scores”

I am thrilled to be presenting at TMEA again this year. Both of my sessions, “Digital Organization Tips for Music Teachers” and “Working with Digital Scores” will be taking place on February 17th, at 8 am and 11 am, respectively.

Here are the session notes:

Digital Organization Tips for Music Teachers

Working with Digital Scores

Apple improves iCloud Music Library matching, ditches copy-protected matched files for Apple Music users

Apple improves iCloud Music Library matching, ditches copy-protected matched files for Apple Music users:

When Apple Music was released just over a year ago, Apple also debuted iCloud Music Library, a way of storing your iTunes library in the cloud. There were two ways to seed the cloud, either with iTunes Match or Apple Music. If you were an iTunes Match subscriber, matching your songs in your local library to your cloud library was done one way, and if you were just an Apple Music subscriber, matching was done differently.

This created some confusion about the way tracks were matched and stored in iCloud Music Library. Now, Apple is changing this, and will use the same matching method for both services. The company said in a briefing that Apple Music now uses acoustic fingerprinting and provides matched files without digital rights management (DRM), or copy protection, just like iTunes Match.

It seriously blows my mind that this isn't the way it worked from the start. Even after reading this article, I am still unsure if it is safe to cancel my iTunes Match subscription or not.

Subscribing to Apple Music is a huge risk on my part. For the record, I keep two local back ups and one cloud back up of music files in addition to my iTunes Match/Apple Music subscriptions. I of all people want Apple Music to succeed but things like this make me wonder why Apple isn't doing more to secure their footing as a musically relevant tech company.

For the times that Apple Music works as I want it to, it is still worth the experiment. More often than not, it syncs my iTunes Library across all of my Macs and iOS devices. But there are still frequent syncing bugs, in particular, the accuracy of metadata like album art and song titles. And don't get me started on how my MacBook frequently logs me out of my account. At the end of the day though, Apple Music shows potential to be much more than other streaming services..

If you are looking for a music subscription service like Spotify or Google Music, I think Apple Music is getting close enough to complete. But if you are more like me, and you keep a vast library of rare and live albums, personally created and uploaded mp3s, and rely on iTunes to get your job done, it might not be worth the headache.

Announcing My First Book ---> Digital Organization Tips for Music Teachers!

I am excited to announce that I am writing a book!

Actually, I already wrote it. Oxford University Press will publish the book, "Digital Organization Tips for Music Teachers," this Fall. It will be the first title in the series, "Essential Music Technology: The Prestissimo Series" with series editor, Richard McCready.

The book will focus on how technology can help rather than stifle productivity in the music teaching profession. It will address such topics as: minimizing paper, managing tasks, taking good notes, organizing iTunes playlists, understanding music streaming services, working in the cloud, and managing scores. The book will provide an overview of the apps and services I have found most useful in my teaching experience. It will include sample workflows for using these technologies in music teaching contexts.

Stay tuned to this site for more information. The blog has been quiet this year as I have spent more time writing the book. Upon release, I plan to write posts of a supplementary nature. I also plan to do a miniseries on my podcast that offers commentary on the book. I will be inviting many insightful guests on the show to discuss a different chapter each episode.

I also have a really fun video trailer in the works featuring some brilliant acting talent from my colleagues in the Howard County Public School System and some awesome editing work from the guys over at Four/Ten Media.

I hope you will pick up a copy when it is released.

🔗 Limitations streaming iTunes music in the cloud with third party apps

Couldn't agree more with this post from MacStories. The original story they are covering is this post from the app developer Steamclock about limitations that third party apps have when accessing iTunes tracks stored in the cloud.

From Steamclock's blog post:

According to our latest stats, 17% of Party Monster users have been unable to play a song in their iTunes library, and 22% of WeddingDJ users have tried to cue a playlist that has so many unplayable tracks that we need to display a warning. While it’s a miracle that we’ve been able to maintain a 4 star rating through all of this, it’s not going to last if we stay the course.

Given all of this, we have a couple options. We could double down and go pro, catering to serious DJs who can load DRM-free music into our sandbox. Pro DJs who use our apps often have a large licensed library of songs, and won’t rely on iTunes Match or Apple Music.

Alternatively, we could steer towards the mass market, drop crossfading support, and regain full iTunes compatibility. We could also put in the work to add support for Spotify or other competing streaming services, and focus our apps less on playback features and more on having a great UI for queueing.

I am glad this problem is getting some publicity. I have been frustrated with the fact that iTunes tracks can't stream from third party apps for years.

🔗 The Tragedy of iTunes and Classical Music

Robinson Meyer's The Tragedy of iTunes and Classical Music is the best thing I have read all week. It is a perfect overview of the problems haunting serious music geeks when it comes to archiving large and complex music collections in iTunes.

When the developer Erik Kemp designed the first metadata system for MP3s in 1996, he provided only three options for attaching text to the music. Every audio file could be labeled with only an artist, song name, and album title.

Kemp’s system has since been augmented and improved upon, but never replaced. Which makes sense: Like the web itself, his schema was shipped, good enough, and an improvement on the vacuum which preceded it. Those three big tags, as they’re called, work well with pop and rock written between 1960 and 1995. This didn’t prevent rampant mislabeling in the early days of the web, though, as anyone who remembers Napster can tell you. His system stumbles even more, though, when it needs to capture hip hop’s tradition of guest MCs or jazz’s vibrant culture of studio musicianship.

And they really, really fall apart when they need to classify classical music.

Read the whole thing, it's great! File this under "things I wish I had written myself."