StaffPad Comes to iPadOS (Reflections on App Store Pricing and Touch Screen Operating Systems)

Five years ago, StaffPad came to Windows Surface tablets. StaffPad is a professional music notation application that turns handwritten notes into beautiful music notation. It is built around the stylus being the primary input, and because the iPad did not have stylus support at launch, StaffPad remained Windows only.

Multiple years into Apple supporting its own official stylus, the Apple Pencil, StaffPad is finally here on iPad!

StaffPad’s intro video sells itself, so I am not going to write much about the app here. Instead, I point you to…

StaffPad’s Introductory Blog Post

Download Link to the App Store

Scoring Notes Review - a must read if you are interested

Since the features of StaffPad are covered in the links above, I want to comment on two interesting aspects of this release.

First, the price. At $89.99, this is no impulse purchase. I find it refreshing to see a professionally priced app like this on the App Store. For years, the App Store has seen a race to the bottom type approach for grabbing sales. Users are so used to <5 dollar apps that the idea of paying for software has diminished from reality.

Increasingly, developers are finding that subscription based pricing is the only way to maintain software and put food on the table. There was a big discussion about this in the Apple community last week when beloved calendar application Fantastical released their version 3 and went to subscription pricing. As is customary when an app goes to subscription pricing, users of the application and bystanders alike were enraged at the idea of a calendar costing four dollars a month.

I couldn’t resist sneaking my love of Fantastical into this post. The interface is beautiful.

And the natural language input is one of many essential features that helps me get my work done more efficiently.

As a user of Fantastical, I was happy to keep supporting development. It is one of my most used applications on a daily basis and its features are essential to me having a full time teaching job, while also scheduling gigs, 25 private students, speaking engagements, and all of my other personal events.

Fantastical is what I would call a prosumer application. It offers more power to someone looking for an advanced and well designed calendar, and it has a wide appeal (everyone needs a calendar!). Four dollars a month is steep, but manageable. Now that the price is reoccurring, I do think it will appeal to a smaller audience, as each user will have to reevaluate on a monthly or yearly basis whether or not this application is continuing to be worth the cost.

StaffPad is very different. It is a professional creation tool. Much like Photoshop is essential to designers and photographers, score editors are essential to the lives of most musicians, composers, and music educators. By charging 89 dollars, StaffPad follows a long history of apps in its field, which are often priced between 200 and 600 dollars.

I have to wonder… if the iPad had more software like this, and from an earlier point in time, would users have adjusted their expectations and would more expensive professional apps be more viable? And if so, would the viability of such professional apps lead to more (and better) professional apps on iOS?

And furthermore, would Apple adjust to these trends? Apple still offers no free trial for apps (something that will definitely deter a lot of my music teaching colleagues away from giving StaffPad a chance). Not to mention that professional creative software has a tradition of volume licensing and educator discounts. Educators who would normally be able to afford a program like this for themselves or their class are going to be stuck if they are looking for the same options with StaffPad.

App developers get around to this in number of ways, an example of which is to offer a free app where you have to buy it as an in-app purchase after a week. Of course there is also the subscription model. I am glad StaffPad went with a more traditional model than a subscription because it fits within the tradition of how its class of software is priced. And my hope is that this just might convince more developers to bring their own apps to iPadOS.

Which brings me to my second point…

StaffPad doesn’t, and probably wont, have a macOS app. It is built entirely around stylus input. This is why it could only exist on Windows Surface tablets at first. I am thrilled it is on iPad, but this presents an interesting question for users of Apple products.

A Windows Surface user notices no distinction between whether or not StaffPad operates on a touch-based OS or a traditional point-and-click OS, because they are one and the same. Even as macOS and iPadOS move closer and closer together, this distinction has lead them to be products with very different potentials.

On the other end, all the other players in the score-editor field (Sibelius, Finale, Dorico) remain “desktop” applications that run on traditional point-and-click operating systems. With the power of the current iPad Pro, there is no reason these applications couldn’t exist on iOS, other than that developing for iOS is very different. None of these developers have shown any signs of bringing their programs to iPadOS any time soon, and I would suspect StaffPad has no plans for a Mac version.

I admire how Apple has held their ground about the iPad being the iPad and the Mac being the Mac. It has made both platforms stronger. But as the iPad becomes a more viable machine for getting work done, Apple has got to get a plan for how to solve this essential “input” question.

App of the Week: Sleep Cycle

From the moment I walk into school, chaos surrounds me. Tasks begin, busses arrive, students transition the halls, and classroom lessons never stop. It is important to take frequent steps back to monitor my physical and mental health as it relates to my stress and energy levels throughout the week.

In an ongoing effort to stay healthy, I have continued to explore health apps on the App Store that will help me collect data on my body. I one day plan to blog about this in detail. But for now, here is an app that I have used on and off for a while, but have recently been experimenting with again.

Sleep Cycle is an alarm clock app that is based on the following premise: that you will wake up the most refreshed if it is during your least deep sleep. Sleep Cycle allows you to set a time you need to be up by, and a wake up window. Using the microphone of the phone, Sleep Cycle uses advanced technology to listen to your movements during your sleep and wake you up within that window of time when you are in the least deep sleep. Sleep Cycle then records your movement (much like a Fitbit but without wearing anything) and presents it to you on a graph.

Sleep Cycle has many features. Amongst my favorites are: 

- Soothing alarm sounds

- Inegration with Philips Hue light bulbs. I can link it to the lightbulb in my bedside lamp so that it slowly turns on with a red tone as my alarm goes off. This way, my wife is not disturbed but I am gently woken up. 

- Integration with Apple’s Health app. Sleep Cycle records my hours in bed and hours asleep to the Health app so that I can see how all the pieces of the puzzle fit together. How do activity and water intake influence my sleep? How does my sleep influence my weight? Etc... 

Robert Sheldon conducts the Regional Repertory Wind Ensemble

This past weekend, I had the pleasure of working with Robert Sheldon as he conducted the Regional Repertory Wind Ensemble. The RRWE is a Maryland based honor band that I have assisted for the past seven years. Early each summer, the organization finds a composer/clinicain/educator to come in and direct the audition based group on a concert of their own compositions. Many conductors have worked with the group over the years, all of whom are master composers, educators, AND conductors. Sam Hazo, Frank Ticheli, Richard Saucedo, and Brian Balmages have all worked with the group.  

Working with Robert Sheldon is a real treat. His music finds a way of strongly connecting to the students. It is just so fun to play! I can hear and see how naturally they gravitate towards it in performance. One of the things I really admire about Sheldon is that he is a real instructor. His years of teaching experience have crafted him into someone who is really able to rehearse an ensemble, assess where the problems are, and immediately give just the right feedback to get the musical result he wants. And he gets these results without ever once raising his voice, putting a student on the spot, or diminishing their efforts. In every interaction he was complimentary, patient, and spoke deliberately. When he needed   students to step up, he would always find a way to make them feel great as a member of the ensemble before first offering a suggestion.  His manner of offering suggestions was much like  dangling a carrot just far enough in front of them that they would want to sit up a little straighter, put their instrument in playing position sooner, reach for the peak of the phrase, etc.

I witnessed expert music teaching this weekend. And for that I thank Mr. Sheldon for his involvement with the ensemble. 

🔗 Chris Russell's early thoughts on the iPad Pro

If you ask me, Chris Russell's Technology in Music Education blog is one of the places on the web to read about music technology in education. Chris is a big time proponent and writer on using iPads in music ed. He is also a great hold out when it comes to resisting new tech and pushing his current technology to its near death. As a reckless early adopter I admire him for this.

Chris just updated his iPad to the large 12.9 pro model. This device was updated recently alongside an all new 10.5 inch sized pro model. I hear that the 120Hz refresh rate on the screen of both these new models is out of this world. Needless to say, now that Chris is using an iPad Pro, I am curious to see what he will write about it in the coming months. 

His early thoughts are in keeping with this theme, basically stating that the iPad Pro is a monster piece of hardware desperately waiting for the productivity features of iOS 11 this fall.

A few days with the new 12.9″ iPad Pro | Technology in Music Education:

I have been putting off the purchase of a new iPad for some time–and it was time to upgrade.

That iPad arrived on Tuesday, and I have been using the iPad Pro in my daily life for the past three days.  I have been reading a lot about the iPad Pro models on all of the technology news outlets.  The general consensus is that the iPad Pro is wonderful, but it costs a lot.  This sounds like typical Apple to me.  That said, my 2008 MacBook (which I am still using) was pretty expensive ($1500 if memory serves), but it is still working for me nearly 9 years later. 

I have been integrating the iPad Pro into my life, and for the most part, what I have to say is this: it is a big iPad that does what iPads do.  I am able to do some more split screen activities as the size better allows for it, and it is wonderful for reading music.