"Rehearse Your Ensembles Remotely!" at the MMEA Inservice Conference this Saturday, March 5

If you are a NAfME or MMEA member, please join Maryland at our Inservice Conference this weekend. I will be presenting a session titled Rehearse Your Ensembles Remotely! on Saturday, March 6 at 5:45 pm.

Here is the session description:

Learn the strategies and technologies to run engaging synchronous rehearsals. Engage students visually and speed up your flow using Open Broadcasting Software. Pump the sound video/music/play-along tracks directly through Zoom or Google Meet for a lag-free experience. Explore play along with resources, student reflection with Google Docs, effective camera/mic practices, and have students working collaboratively in synchronous chamber ensembles with Soundtrap! Software discussed includes: Keynote, Google Slides, Loopback, Soundsource, Farrago, AnyTune, Soundtrap, Smartmusic!

Making Just Intonation Play-alongs with Trap Beats for Band Rehearsal (Using the Yamaha Harmony Director and Logic Pro)

My band classes meet online using Google Meet once a day for 45 minutes. I am trying to keep them playing as much of this time as possible while slowly introducing the tech tools we will be using to submit work this semester.

Using the Yamaha Harmony Director, plugged in through Logic (along with some trap beats and 808 bass lines I recorded in with software instruments), I have started to make some play-along tracks to route through the Google Meet via Loopback.

This is kind of like a hardwired version of my Tonal Energy/Garageband workflow I have written about here before, only the keyboard hardware and pro editing software allow for much more precision.

They sound like this:

See below for the Logic Pro setup. I am using a drummer track for the trap beat, an 808 bass instrument as a software instrument to record the bass line, and the Harmony Director is being recorded live as an audio track. The HD is plugged directly into my audio interface to do this.

I decided to keep the bass part droning in the key area of the scale because that software instrument plays in equal temperament by default. It also sounds more like an authentic trap beat this way, where the bass line functions similar to a bass drum.

I already used this method in my first period class this morning and the band loved it. This is just the beginning. I whipped this together in a hot minute and anticipate making a variety of scale patterns in different musical styles.